Maroon 5 stereo hearts acoustic movie#

People want to hear stories they can put themselves in, and making songs personal keeps peoplesвЂ™ attention.

A quick perusal over my iTunes gives me вЂњIвЂ™ll Follow the SunвЂќ, вЂњIвЂ™m Happy Just to Dance With YouвЂќ, вЂќTell Me What You SeeвЂќ, and вЂњP.S. Want a crash course in using this technique effectively? Listen to most anything the Beatles ever did, especially their earlier albums. Words like вЂњIвЂќ, вЂњyouвЂќ, вЂњusвЂќ, вЂњmeвЂќ, вЂњyourвЂќ get people involved in the story. Speaking of the chorus, and why itвЂ™s so memorable, people also focus on personalization. Those are the words the songwriter wants people to remember, so once the listenerвЂ™s attention is grabbed, make the most of it and give them the single thing you want them to remember. Those of us whom have taken popular music songwriting courses in college have been told to get to the chorus ASAP. You and I are naturally wired to listen to the human voice above all else, and, when thatвЂ™s the only thing going on, your attention is focused on the message being conveyed.ДЄdditionally, the song begins with the chorus. Our ancestors that were predisposed to paying attention to what other cave people had to say were the ones that learned that there was a sabre-tooth-tiger around the corner and didnвЂ™t get eaten. Think about it from a evolutionary standpoint. People have a natural tendency to listen to other peoplesвЂ™ voices. LetвЂ™s take a look at some of them and see what we can learn from Payphone by Maroon 5 featuring Wiz Khalifa: Begin With the VocalsДЇrom the very first second (literally 0:00 on the YouTube counter), notice that the song begins with just the vocals, no instrumentation. Without the cinematic aspects (which is the one I will reference in this analysis) (Explicit) вЂњPayphoneвЂќ employs many production devices that seek to grab the listenerвЂ™s attention and keep it there in order to tell the story. Produced by Benny Blanco, Benny Blanco, Robocop Written by Adam Levine, Shellback, Benjamin Levin, Ammar Malik, Dan Omelio, and Cameron Thomaz

Maroon 5 stereo hearts acoustic movie#

Levine gave an earnest rendition of вЂњLost Stars,вЂќ from the movie вЂњBegin Again,вЂќ and an acoustic version of вЂњShe Will Be Loved,вЂќ before ending the gig with the upbeat and disco-inspired вЂњMoves Like JaggerвЂќ and вЂњSugar,вЂќ which he finished off, quite fittingly, with a piercing falsetto.Maroon 5 and Wiz Khalifa вЂ“ Payphone Production Analysis The music was likewise more robust-the bass seemed to thump more forcefully, the percussion crashed harder, the song outros more frenetic and stretched out.ДЇor the encore, Levine picked up where he left of, sustaining the momentum he had built earlier. He started to crank things up, putting more grit into his numbers and initiating resounding sing-alongs. It was in this stretch that Levine was most compelling. There were the old smash hit вЂњThis Love,вЂќ the jazzy вЂњSunday Morning,вЂќ the funky, danceable вЂњMakes Me Wonder,вЂќ the catchy, mid-tempo ditty вЂњPayphoneвЂќ and the mellow, light-a-phone tune вЂњDaylight.вЂќ The concert, mounted by MMI Live, was at its strongest from midway onward. THE BAND came armed with even more hits this time.